Published Carty's Poetry Journal Christmas 2011
At the second house, a horse waited, half door, open.
I
I come bearing sheets of forked ideas
from whose loins I'd sprung.
I come as a city dweller,
to find in what small and mean house, or field,
my predecessors had struggled, unaware as yet
that more could be known than the next harvest,
the next child.
At first I found three modern houses,
and trampolines.
Each fresh house, with an apron of closely manicured,
useless grass, whose clippings, heaped to rot,
led me up the lane way. to where the ditch was still agrowing,
and the years were taken back to when the moss
covered stones, were still naked in their busyness,
and when a bend was first turned,
It is to this bend I go, this willful, or unconscious
hieroglyph, where one man stopped
and made our family’s home.
II
I find the first, weathered and decaying house,
single storied, single roomed, one eyed
and open mouthed, silent in its memories
of house proud ornament, busy courtesan hens,
and other 'yard to pots.'
I was recognised as one of those who braided straw
to bend its will, and so, it tipped its head and snorted.
We gazed; exchanging memories, and
I saw in his stead, Maureen, and Delia, mother
and farmer’s daughter, glad for the break in weather,
that allowed the half door to stand open,
and the sun break in;
names I know from a census night, that were impressed
read and write; English for the future,
Three cottages in all, with no door facing another
so each man, father and son, could leave in the morning
and go his own way.
From here, at the age of fifteen, my great-grandfather,
had left, and crossed the fields to another farm, picked
by the same calculation and observation, he learned
at the side of a towering leg, that was never uncovered,
never revealed, as flesh.
Even in death, those trunks had remained so,
covered by a shroud that strangely stretched
from chin to toe, and those great hands
that had spread seed were now knuckled, and bound
restrained by prayer, and rosary bead.
III
In the graveyard of Kilcolman, where he lies now,
with intent; between the lichen and the moss,
I searched in vain, for a carved name,
that would tell me, I too lay here in part.
The western wind, that is without beginning
or end, fills all the empty spaces between them
and me, and around these stone placements
I stagger, not knowing where, and when,
I am to fall.
Then from the derelict church, of rounded stone and sky,
a shivering dog fox bolted from where the hunters lie,
and I was shocked to see, as if it was always there,
a landscape shared with toil and care,
and rough hewn cart, followed by skipping waif,
and a tired, stooped man, with chin on forearm,
on upright spade, gazed wistfully in my direction,
and saw his future, before him laid.
and saw his future, before him laid.
I really enjoyed this travelling through the years :)
ReplyDeleteThank you Grace, delighted you enjoyed the journey, and thank you for the comment . .
ReplyDeleteWow! Maybe it is wrong that as a poet that is the first word that comes to mind, but...
ReplyDeleteThis was the first thing I read to start my day. My heart and soul are giving you a standing ovation and an extended applause.
I almost feel unable to click away I feel so connected to this piece. Thank you!
Delaina Miller
Niall, this is incredible. The imagery is so real and the story so enticing. I feel like I'm watching the scene unfold over your shoulder. Rich textured and wonderful. I can feel the longing and smell the moss. Not to be a copycat, but wow.
ReplyDeleteLeigh Spencer
Again you have painted the human experience with the brush of beauty, and again my spirit leaves enriched.
ReplyDeletevalbelsky 01/07 01:48 PM
ReplyDeletenice poetry....Ireland has such a rich tradition of writing
Fantastic!
ReplyDeleteHelen Patrice
Superb! We are all only 3 generations from the land; an intelligent peasantry and what a way to express it.
ReplyDeletePaul Martin
Niall this is fantastic. I was lost in your words. The accompanying photographs add so much to the sense of place and belonging.
ReplyDeleteCaroline Heffernan